There’s a Sinatra song “In The Wee, Small Hours Of The Morning”, that Barry Levinson used in one of his movies about Baltimore Tin Men.
I wish my insomnia were so rich and romantic that Sinatra tunes were featured in my sleepless episodes, but no, or, at least , not yet.
I am waiting for AMTRAK’s Silver Meteor (#98) to pass through Ashland on the Virtual Railfan You Tube site. While waiting , I’ll fantasize I’m on my way to New York , and The Big Apple will be permanently romantic and not teetering on fiscal disaster. The Astors and The Vanderbilts will perpetually hold control and Fitzgerald’s Great Gatsby will be as real as Grant’s Tomb and Central Park.
The consolation tonight is the richness of cinema. Whether a Flash Gordon serial from the Thirties or a work by a master like Fellini or Spielberg, the movies have been The Great Escapes of modern times.
Monsters like Hitler or Stalin have allowed geniuses like Riefenstahl or Eisenstein to give at least a glimmer of excitement or legitimacy to their machinations .
We can imagine ourselves Someplace Else, out West with Duke Wayne or at Tara with Scarlett O’Hara, or in Never Land with Peter Pan. The movies can do that.
And The Good Guys can win. And Hope can stay on life support a while longer.